French Front: More Horror in the Trenches – Verdun 1916
We began this week’s look at French images of the Great War with horror, and we end with horror.
Nearly a century after the Great War, it is hard to imagine what a charnel-house the battlefields were during the conflict. Images that give an insight into the horror are rare. This one from the Verdun battlefields of 1916 was taken in the aptly named ‘Ravin de la Mort’ – the Ravine of Death. The caption states the skull was nick-named ‘The Crown Prince’ – after the Kaiser’s son who had commanded German forces at Verdun that year.
Today the skulls of Verdun are just as visible; under the ossuary at Douaumont are the bones of more than 120,000 soldiers who fell in the battle and could not be identified. The ossuary has purpose built glass windows so visitors can look in and see the piles of bones and skulls all positioned so they look at the inquisitive. It is one of the most extraordinary places I have ever visited.
French Front: Verdun Remembered
Today is the 96th Anniversary of the start of the Battle of Verdun. This defining Great War campaign cost France and German more than 700,000 casualties in 1916 and for the French Poilu it became the notorious ‘mincing machine’ as seemingly regiment after regiment was thrown into the fighting here to stem the German advance and make sure that ‘They Shall Not Pass‘.
This image from a wartime set of French stereo-cards shows French soldiers in the quarries near Verdun at the site of a ‘Poste de Secours‘ or Dressing Station. French stretcher-bearers are seen towards the rear in the area where sandbagged dugouts line the quarry. The men at the front do not look wounded but appear to have just been fed, so there could have been a supply point here or field kitchen as well.
Verdun remains the by-word for the Great War in France and today ceremonies will be taking place at various sites on the Verdun Battlefield.
Royal Flying Corps: Egypt 1916
The Royal Flying Corps (RFC) is a formation not normally associated with campaigns outside of the Western Front, however this image shows men from the RFC in a very famous setting in early 1916. One of the main squadrons operating in Egypt at this time was 14 Squadron, and these men well be from them. They were based at a number of locations around the Suez Canal from 1915, keeping an eye on the Turks in Palestine and tribes in the Western Desert; towards the end of 1916 this involved in assisting T.E. Lawrence: ‘Lawrence of Arabia’.
The RFC men in the photo are wearing the familiar ‘Maternity Jacket‘ uniform which must have been fairly warm in desert conditions and possibly means they had not been ‘in theatre’ that long. I once interviewed a WW1 veteran who said that this location was the most popular place to have your photo taken in Egypt, with the backdrop of the Sphinx and Pyramids. The cost of the photo was relatively cheap and soldiers would be queuing up to have them done; a little board was placed in front of the camels with a number on (visible in this photo) and you then came back, quoted the number, and got your postcards to send home. I have since interviewed men who served in Egypt in WW2 and post-war and it seems little changed over 50-odd years!
A nice touch in the photo is that just below the chin of the Sphinx are some men of the Australian Imperial Force; Diggers whose iconic Slouch Hats are clearly visible. These could be from some of the AIF units then assembling in Egypt or some veterans just back from Gallipoli. Many of the famous Ancient Egyptian structures seen here are still covered in graffiti from this period.
Verdun Pilgrimage 1925: Fort Vaux
We start this week with images from the album of a battlefield pilgrim who travelled to the French battlefields between Reims and Verdun in 1925. The album belonged to a ‘D.Lauder’ who appears to have been a woman in her late twenties. Whether she had a connection to the family of the famous Sir Harry Lauder is not clear, but it appears she may have worked as a volunteer Nurse attached to the French Army, which explains why she visited locations outside of the usual area for British pilgrims.
Fort Vaux was one of the famous French forts which featured in the fighting during the Battle of Verdun in 1916. It had fallen to the Germans in June and was later recaptured that November. The women in the photo above are standing on an Observation Post which directed some of the forts gun turrets. The smashed nature of the ground is clearly visible.
When visitors came to Fort Vaux in the 1920s they were given a French Army guide, whom Miss Lauder photographed on top of the same bunker. He holds a miner’s lamp in his hand which was presumably used to take his party through the tunnels of the fort.
Somme Pilgrimage: Thiepval 1932
The Thiepval Memorial to the Missing was unveiled on 1st August 1932; we saw a few weeks ago the Last Post being played as part of the ceremony; here is an image of the assembled crowd who had travelled to the Somme for the inauguration ceremony that day.
Such pilgrimages were not new – visitors had first been seen on the old battlefields in 1919 – and this was not even the first one to the Somme, yet it was the first large scale pilgrimage since the British Legion had organised their own in 1928. But this in many respects was a pilgrimage with a difference; here were not families who had come to see a grave. No wives or mothers or children could walk the rows of headstones to find one with ‘their’ name on. For these were the families of the legions of the missing; men who had ‘no known grave’. What to do with these missing? In previous wars such men had never been commemorated, but as this war had touched almost every family in the land, crossed every class and social barrier, and on some battlefields more than half the dead were missing, it was felt unfair for the loved ones of these men to have nothing to see, nothing to remember but a fading vision. The solution were the huge memorials to the missing, which in many places came to define the battlefields on which they stood.
Future generations would make much of these memorials like Thiepval, and wonder at the long lists of names. But on this day, and in this crowd, all minds were focussed on but a single thought; of that name, that face, that voice which had once been dear to them and was lost. There had always been that feint hope; alive somewhere, lost their memory, perhaps missing no more, but now nearly two decades after the Somme the final reckoning; a name in stone, a final acceptance, and all the grief and heartache that brought.
Birdsong: The Real Somme Tunnellers
Tonight the long awaited dramatisation of Sebastian Faulk’s novel Birdsong will be broadcast on BBC1. The Great War is very much the focus of the story and in particular the war beneath the Western Front involving the men who served in Tunnelling Companies of the Royal Engineers. As part of the research for the programme the actors visited the current archaeological work being undertaken at La Boisselle.
This rather tatty and crumpled image I found tucked in a book on WW1 tunnelling I rescued from a second-hand bookshop many years ago. Nothing is written on it, but the background is consistent with many photographs I have that I know were taken on the Somme. The men in the photograph are all Royal Engineers, who formed the Tunnellers, and some of them have the look of a hard, tough life on their faces. Who these men were we will probably never know but they look typical of the sort of men that fought that underground, subterranean war under the Somme; older, tougher, and used to hard physical labour. Were these beloved Sappers of a young officer who commanded them? Were they mates who shared that time in Picardy? The photograph, as do so many, offers more questions than it answers.
But whatever, these are the faces of the men of Birdsong, which following on the heels of War Horse, has certainly brought WW1 into the media spotlight and made many pause a thought for that generation of the Great War.
