A century ago this week the Battle of the Marne was raging close to Paris as the outcome of the German invasion of French hung in the balance. The ‘miracle of the Marne’ saw an Allied force of British and French troops halt the German Army at the very gates of Paris and it was not only the largest battle of 1914 – with nearly 2.5 million troops involved – but arguably the most decisives of the campaign.
While the French Army had demonstrated in the Battles of the Frontier that it fought in an outdated way, resulting in heavy losses, battles like the Marne showed that the French often had an edge in technology and the ability to adapt. The famous French 75mm field gun seen here was one such example; certainly the best field gun that went to war in 1914 and arguably one of the best of the whole war. It’s rapid rate of fire and accuracy meant that it increasingly gave French gunners an edge on the battlefield, something they would carry through the entire conflict.
On this day a hundred years ago France was going to war. The German invasion of France had begun as part of the Schlieffen Plan and France would soon declare war on Germany. Mobilisation notices went up all over France recalling Reservists and Territorials to the Army and within two weeks more than 2.8 million French soldiers had been mobilised into the army.
Also on this day the first clashes between the French and Germans occurred in Eastern France when the 44th Regiment of Infantry encountered German cavalry and Corporal Jules-André Peugeot was killed; the first French Poilu to die in the war.
This photograph dated August 1914 shows men of the 113th Regiment of Infantry preparing for war. From Blois in the Loire, they were action a few weeks later and in their first battle suffered more than 1,200 casualties; typical of the huge French losses of this period.
Ninety-nine years ago today the British government declared war on Germany and for Britain the Great War began. A year from today the Centenary of the Great War starts with a joint reconciliation service of remembrance at Mons with British and German heads of state present.
Many of those with a long-held interest in the Great War view the upcoming Centenary with some trepidation. There is a fear the war will be trivialised into convenient media soundbites, a concern there will be too much focus on the dead of the war and not enough on those who survived, and among many academics disgust that achievements on the battlefield which lead to victory will be forgotten.
All of these are legitimate concerns but it is clear the Centenary is also a time to educate and share knowledge. That is why I set up Great War Photos some eighteen months ago; a platform like a blog is an easy and accessible way for me to share the thousands of largely unseen images I’ve collected to be seen by a wider audience; and all it costs is some time and a few dollars for a web address. That such a project is of interest to others is clear; the site has so far been seen by more than 200,000 unique visitors from all over the world. People have requested to use images for private research, community projects and publications; all of which has been granted as it is precisely what I had hoped for when I set the site up.
I mention all this not to blow my own trumpet but to demonstrate how easy it is to take an active part in the Centenary. Blogs are free; adding images, artwork and sound or video files is easy. Many of those with years of collecting or researching WW1 have some sort of story to tell and surely the Centenary is the time to do that? Others have family stories to add, or names on a local memorial which once researched can be shared with others. All you need is the will and the ability to type.
The Centenary should be a time for collaboration and co-operation, as well as a time to publish books, enhance profiles and churn our programmes. Let us hope more and more take on that challenge.
So what has Great War Photos got planned for 2014? In the lead-up to the Centenary I plan to publish a number of images showing places on what would become the Western Front, showing how they looked on the eve of war; sleepy villages and flourishing communities. From August 2014 onwards I aim to focus on images connected with 1914: the fighting overseas as well as events on the home front.
I am trying to think positively about the Great War Centenary and I hope others will do so as well; it is an important period that should not be wasted by anyone with an interest in the subject.
The Musée de la Grande Guerre opened in the French town of Meaux – in the heart of the 1914 Marne battlefields – in late 2011. While this is its second year and has had good visitor numbers, I do not think it has quite reached the radar of English speaking visitors as yet and I myself have only just had a chance to pay the museum a visit.
I must confess that I did approach the visit with some trepidation; modern museums can often have themes which at times seem remote from the core subjects of the Great War and occasionally go for audio-visual over objects. In the case of this superb museum my fears were unfounded as it proved to be one of the best museums I have visited in a long time and now is in my top five WW1 museums in the world!
The visit at the Musée de la Grande Guerre starts with a short film taking you back to the origins of the Great War and the Franco-Prussian War. You then proceed into the pre-war galleries which emerge into a display of soldiers marching to war in 1914 and the main hall. This hall is packed with a Marne Taxi, pigeon loft, WW1 aircraft a FT17 tank, artillery and two large trench displays. Off of it are other rooms which follows themes or the timeframe of the war, equally packed with fascinating objects, imagery and artwork. Two and a half hours here just flew by and it is one of those great museum where I know I shall return each time and see something I missed previously.
The trench displays were particularly effective; a trench ends on a wall where the movement and activity in the trench is cleverly blended with archive film from WW1 – see below.
The museum has a well stocked bookshop at the end, good, clean toilets, safe and plentiful parking, and a nice little cafe which does drinks and light snacks. You cannot take bags inside but there are lockers to leave them in. It has good disabled access for a French museum and the staff are all very friendly.
I cannot recommend the Musée de la Grande Guerre enough and combined with a visit to some Marne battlefield sites close by, this makes the Marne an exciting battlefield to visit.
Working in the snowy conditions of winter on the Western Front was a hard task for all soldiers. While the work kept you warm, the frozen conditions on the battlefield often made such work near impossible in the first place.
This French image from La Guerre Documentee shows a group of French Poilus working on their trenches in a wooded area with picks; so hard is the ground it seems that shovels are not enough. There has been a heavy snow fall and one man keeps watch over the far parapet, but this is likely to be a reserve position away from direct observation otherwise the soldiers would not risk getting up in the open like that. The soldiers are all wearing their great coats, have gloves and scarves, and the image gives us a good insight into how difficult life was on the Western Front during the winter months.
This image was taken in the Vosges area, a region known for its severe weather and deep snow in the winter, and a sector of the Western Front in Eastern France where the fighting revolved around mountainous terrain. Here a group of French Alpine Troops are using skis are ‘on patrol’ although the front here was never really that fluid to allow such patrols to take place in the face of enemy positions and this is likely to be a posed image taken behind the French lines. However, it does give an insight into winter conditions in the Vosges in 1915.
This contemporary illustration from La Guerre Documentee shows a typical French Poilu in a front line trench in winter garb. The French soldier was issued with a substantial greatcoat worn over his tunic which did offer some protection from the cold, but as this illustration demonstrates they also had to result to make do and he has a pair of woollen gloves and a scarf to help make long periods in the front line during the winter at least bearable. The artist, Guy Arnoux, was a well known French illustrator of the period whose work appeared in many magazines and children’s books