The Crimson Field is a new BBC drama which has been received with what can be best described as mixed feelings by Great War enthusiasts on Twitter. It depicts a ‘Field Hospital’ close to the battlefield and while its accuracy may be questionable there is no doubt it will bring many who want to know more to the subject of WW1 medicine.
By way of contrast this image is from a small German collection that may well have belonged to a German nurse or doctor serving in Russia and in France during the Great War. This particular ‘crimson field’ is likely to be in Germany and visible are the nurses, left, and the doctors and orderlies as well as the patients at the window and on the balcony. The image gives an insight into the sophistication of Great War medical arrangements, something very lacking in the current BBC drama.
Tonight a new WW1 Centenary drama series, The Crimson Field, will start on BBC1 no doubt sparking a fresh wave of interest in the Nurses of the Great War.
This image was taken in Northern France in 1918 and shows Queen Alexandra’s Imperial Military Nursing Service and also Voluntary Aid Detachment (VAD) personnel with the Royal Army Medical Corps medical officers from a Northumbrian Casualty Clearing Station.
An article that some followers on Twitter posted a link to today, <a href="http://www.independent.co.uk/news/world/world-history/the-gathering-storm-a-look-back-on-middleclass-europes-last-carefree-christmas-before-the-onset-of-world-war-one-9020184.html” target=”_blank”>in the Independent, described Christmas a century ago saying it was “Europe’s last carefree Christmas before the onset of World War One.” It is easy to look back on the Edwardian period as some sort of golden era, a view especially prominent with recent television programmes like Downton Abbey. The reality is poverty was still rife more than a decade after the death of the Old Queen and while the Middle and Upper classes were profiting, many others were not.
But it was, of course, the last ‘normal’ Christmas families in Britain, and indeed across Europe, would experience for many years to come. The author Henry Williamson called it the ‘Last Winter of the Old World’, a world in which he had grown from boy to man, and would soon take him in khaki to the front line of Flanders. A year later his Christmas would be on the battlefield; in No Man’s Land at Ploegsteert, face to face with the enemy during the so-called Christmas Truce.
So to mark this important passage in the story of the Great War Centenary, and thinking of old Henry a hundred years ago, the final image for this year is not one of war, but of peace: a winter’s scene in 1913 on Hilly Fields, the open parkland near Henry Williamson’s own home in Eastern Road, Ladywell, South-East London. The Middle Classes of London are out in force, and alongside them no doubt the boys from some of what Williamson called ‘the rougher streets’ who attended the school on the hill, which is still there and still a school; now Prendergast-Hilly Fields College. The school has its own war memorial to the old boys who fell, some of whom may well be on this image; but whoever the young men seen here in 1913 are, a year later, like Williamson, they would be off to war and an unknown future; days like these would appear as if part of a different, unconnected past.
This image dates from 1915 and shows German troops at their winter billet ‘somewhere in France’ well prepared for their Christmas away from home. The tree is decorated, one soldier plays on the piano and Christmas gifts are laid out on the table. A snapshot of some normality in what for them was no doubt usually far from normal circumstances.
Merry Christmas and a Happy New Year from Great War Photos.
As Christmas approaches thoughts turn to trench life on the Western Front during the Great War. This image dates from a small private collection relating to the 1/13th Battalion London Regiment (Kensingtons) and was taken in France near Fleurbaix during the winter of 1914/15. The men are dressed informally as was typical of that early period of the conflict and aside from a great deal of personal kit being worn to keep the cold out, the man on the left has a typical goat/sheep-skin jerkin of this first winter. At least the rum ration is close at hand! The fact that the men are standing up and the parapet of the positions behind is low, would indicate this was in a reserve trench some distance from the actual front line.
Today is 11th November; 95 years ago today at 11am the fighting on the Western Front came to an end.
This image is from the front cover of a small leaflet that was produced for the first Poppy Day in 1919 and was owned by the wife of Second Lieutenant Leonard Brown who died serving with the East Surrey Regiment in Flanders in 1918; after nearly four years on the Western Front, having been commissioned from the ranks.
Nearly a century later the symbol of the Poppy endures and today in Ypres, at the Menin Gate, Poppy petals will fall from the ceiling in remembrance of that generation who marched to Flanders and is no more.
We Will Remember Them.
These two images are postcards which are bent and tatty, the corners are curled up and they are pretty dirty. But they were once very important to one man: Joseph Kinna. Kinna was a family man who was conscripted in 1916 and joined the Gloucestershire Regiment. He fought with the 8th Battalion Gloucestershire Regiment on the Somme and the reason why these postcards were important to him is shown on the reverse:
Joseph Kinna was wounded in that attack at Grandcourt, in the tail-end of the Somme battle, and posted home. Medically downgraded due to his wounds, he was eventually discharged from the army, aged 22, in 1917.
Two simple postcards, carried in a soldier’s pocket nearly a century ago; memories of his life back home to him, but today, as the nation pauses to remember, it is simple stories like this which transport us back to those days of the Great War when even a simple postcard meant something to one family at war.
Ninety-nine years ago today the British government declared war on Germany and for Britain the Great War began. A year from today the Centenary of the Great War starts with a joint reconciliation service of remembrance at Mons with British and German heads of state present.
Many of those with a long-held interest in the Great War view the upcoming Centenary with some trepidation. There is a fear the war will be trivialised into convenient media soundbites, a concern there will be too much focus on the dead of the war and not enough on those who survived, and among many academics disgust that achievements on the battlefield which lead to victory will be forgotten.
All of these are legitimate concerns but it is clear the Centenary is also a time to educate and share knowledge. That is why I set up Great War Photos some eighteen months ago; a platform like a blog is an easy and accessible way for me to share the thousands of largely unseen images I’ve collected to be seen by a wider audience; and all it costs is some time and a few dollars for a web address. That such a project is of interest to others is clear; the site has so far been seen by more than 200,000 unique visitors from all over the world. People have requested to use images for private research, community projects and publications; all of which has been granted as it is precisely what I had hoped for when I set the site up.
I mention all this not to blow my own trumpet but to demonstrate how easy it is to take an active part in the Centenary. Blogs are free; adding images, artwork and sound or video files is easy. Many of those with years of collecting or researching WW1 have some sort of story to tell and surely the Centenary is the time to do that? Others have family stories to add, or names on a local memorial which once researched can be shared with others. All you need is the will and the ability to type.
The Centenary should be a time for collaboration and co-operation, as well as a time to publish books, enhance profiles and churn our programmes. Let us hope more and more take on that challenge.
So what has Great War Photos got planned for 2014? In the lead-up to the Centenary I plan to publish a number of images showing places on what would become the Western Front, showing how they looked on the eve of war; sleepy villages and flourishing communities. From August 2014 onwards I aim to focus on images connected with 1914: the fighting overseas as well as events on the home front.
I am trying to think positively about the Great War Centenary and I hope others will do so as well; it is an important period that should not be wasted by anyone with an interest in the subject.
By the 1930s the work on the war cemeteries was almost complete, but the final cemetery was not actually finished until September 1938; one year before the outbreak of the Second World War.
This image of Regina Trench Cemetery, right out in the fields close to the village of Courcelette, had been built on a site where heavy fighting had taken place involving men of the Canadian Corps in September-November 1916. It was subsequently enlarged post-war by concentrating graves in from the surrounding area.
The headstones here look new; the trees are young and the plants which would give them the appearance of the ‘English garden’ just beginning to take hold. Today it remains a place of tranquility and reflection just as it was in those early days, and one of many Silent Cities well off the tourist route and rarely visited.
By the late 1920s the work on making the cemeteries along the old Western Front was in full swing and while a large number of cemeteries had been completed, many had not.
This image from the late 1920s shows White House Cemetery, close to Ypres and in the neighbouring village of St Jan, serves as a typical example. The cemetery wall has been built, the Stone of Remembrance and Cross of Sacrifice are in place, but the graves all have the original wooden crosses. The wide scope and variety of the crosses is evident as is the rural nature of the ground around Ypres, now in total contrast to what it looks like today.
The documentary Somme: Secret Tunnel Wars is about to start on BBC4 and promises to be a fascinating insight into the archaeology of the war underground on the Somme in 1916.
Part of the programme will apparently feature the Lochnagar Mine Crater, perhaps the most visited British mine crater today on the Western Front. But this was not always so.
In the inter-war period the Somme was visited by hundreds of thousands of battlefield pilgrims, many of whom came to La Boisselle and many of whom visited a mine crater there, but it wasn’t Lochnagar, but the Y Sap Mine Crater. This was a major ‘tourist location’ in the 1920s/30s as it was close to the Albert-Bapaume road and easily accessible from the main road, which Lochnagar was not. However by the 1970s the Y Sap crater was hardly visited and the owner filled it in; leading to Richard Dunning saving the Lochnagar Crater when that too was threatened with the site now preserved by the Friends of Lochnagar.
While the work on British cemeteries was going on the Volksbund Deutsche Kriegsgräberfürsorge had begun to make German burial sites manageable and more permanent. Today modern visitors to the Western Front are used to mass commemoration at German war cemeteries and few perhaps realise that once every grave was individually marked, often with unique and impressive headstones.
This image of the German graves at Rancourt, on the Somme battlefields, is a typical example; it shows rows and rows of individual crosses each to an individual soldier: today the same cemetery has grey stone crosses, each one commemorating a minimum of four soldiers.
As the clearance of the battlefields was coming to an end and the cemeteries established, work on making them permanent began. Initially it had been discussed that the wooden crosses as featured in last weeks post showing Acheux British Cemetery would simply be replaced by stone ones. In the end headstones were chosen as it was felt more information about the casualty could be recorded on them.
Several locations were chosen to become ‘experimental cemeteries’ – sites where the initial plans for permanent commemoration could be seen and demonstrated. Forceville Communal Cemetery and Extension on the Somme battlefields was one site, pictured here in 1921 just after the cemetery was finished. The crosses had been replaced with headstones and a Cross of Sacrifice, which would become commonplace in all major war cemeteries, had been erected along with the Stone of Remembrance seen in the background here. Forceville was one of the locations visited by King George V during his King’s Pilgrimage in 1922.
The so-called ‘Silent Cities’, the soldier’s cemeteries of the Great War, numbered in the thousands when the conflict came to an end. While the war was no there had been no thought towards permanence or any architectural design and the then Imperial War Graves Commission (IWGC) and now Commonwealth War Graves Commission, were faced with a huge task of properly recorded what was in the existing cemeteries while their senior staff looked at ways to ensure the war dead would be properly remembered on a long term basis.
This image of Acheux British Cemetery was taken in 1920 and shows a typical Somme cemetery at this time; in good order and with graves marked by wooden crosses. Acheux had been behind the British lines in 1916, but had seen fighting again in 1918 but the fields beyond the cemetery show how an area so close to the battle area could largely escape the hand of war. The early pilgrims to the battlefields saw cemeteries like this and the IWGC were busy during this period photographing graves for the next of kin. But a permanent solution had to be found and the next phase of the IWGC’s work will be featured in next weeks post.
In the years following the end of the Great War the civilian population that had once lived in the towns and villages on the former battlegrounds began to return. In the immediate area around Ypres the villages were uninhabitable for the first couple of years, so people lived in Ypres at night and went to work on their former homes during the day; clearing detritus and rubble in preparation for a rebuild.
This image shows one of the temporary communities for such people. The provisional wooden housing was put in place until permanent residences could be rebuilt, in most cases at least 3-4 years after the war was over.
On this day when the first ANZACs came ashore at Gallipoli in 1915, remembering the sacrifice of Australian and New Zealanders on many battlefields from Gallipoli to the Western Front and beyond.
It is apt to recall that sacrifice in the words of one of those original ANZACs who served at Gallipoli, Leon Gellert.
The Last to Leave
The guns were silent, and the silent hills
had bowed their grasses to a gentle breeze
I gazed upon the vales and on the rills,
And whispered, “What of these?’ and “What of these?
These long forgotten dead with sunken graves,
Some crossless, with unwritten memories
Their only mourners are the moaning waves,
Their only minstrels are the singing trees
And thus I mused and sorrowed wistfully
I watched the place where they had scaled the height,
The height whereon they bled so bitterly
Throughout each day and through each blistered night
I sat there long, and listened – all things listened too
I heard the epics of a thousand trees,
A thousand waves I heard; and then I knew
The waves were very old, the trees were wise:
The dead would be remembered evermore-
The valiant dead that gazed upon the skies,
And slept in great battalions by the shore.
Leon Gellert, Australian Gallipoli veteran, 1924
During the Third Battle of Ypres tanks from the recently formed Tank Corps operated in Flanders, but usually with limited success. The nature of the ground meant that many bogged down and were either damaged or destroyed by artillery fire. Many infantry soldiers referred to them as ‘shell magnets’ on the open battlefields leading up to Passchendaele.
These tank wrecks were still very visible in the 1920s and many became tourist attractions, most notably close to the Menin Road at the so-called ‘Tank Cemetery’.
This particular Mark IV tank was lost ‘near Langemarck‘ according to the caption and appears to be a partner of another Langemarck Tank previously featured on the website. There are no distinguishing marks on this vehicle so it is impossible to speculate when and how it was lost. However, research indicates it may be a tank from B Battalion Tank Corps, who were action here in August 1917.
This unusual image from the early 1920s shows a British party from one of the Graves Registration units involved in clearing the dead from the Great War battlefields.
Few photos of this work survive, and the caption for this says it is at ‘Nieuport’ but that seems unlikely given the nature of the ground and the fact that British soldiers were only there a short period.
A Sergeant sits on the edge of a trench while people work in the background and another civilian helping stands in the remains of a Great War defence work. There are no evidence of any bodies but it does demonstrate to some degree the sort of work that went on under the watchful eyes of an NCO in charge of such a unit. The work continued for some years after the war and many thousands of soldiers were found and reburied, albeit it often as unknown soldiers. What the work must have been like for those carrying it out we can only imagine.
Today is the 96th Anniversary of the Battle of Arras, the first British offensive against the Hindenburg Line and something of a forgotten battle. It was very much a British and Commonwealth battle, with Canadians attacking to the North at Vimy Ridge, New Zealand tunnellers working beneath Arras and Australians on the flank at Bullecourt. Amongst the British divisions were all three Scottish formations: 9th (Scottish), 15th (Scottish) and 51st (Highland), so like Loos in 1915 it was also something of a ‘Scottish battle’ too. Arras turned into a bloody struggle, despite early success on this day in 1917 but aside from the success of the Canadians at Vimy and the terrible loss of Australians at Bullecourt – often wrongly seen as separate battles by some – it is little remembered and aside from books like my Walking Arras, Jeremy Banning & Peter Barton’s Arras 1917 and Jon Nicholl’s Cheerful Sacrifice it has rarely attracted the attention of Great War historians in print. As we move towards the WW1 centenary, hopefully that will change.
This image comes from a special collection of Canadian images from the fighting at Arras that belonged to a CEF staff officer and shows Canadian troops on the slopes of Hill 145 looking down in the Douai Plain; it certainly emphasises how important a terrain feature was to both sides.
The Aftermath period of the Great War is an intriguing one as we know when the war ended, we know that people came back, we know that communities were rebuilt and cemeteries and memorials constructed. But actually it is probably the least documented period connected with the war and one that many find fascinating, so it is always good to find some images connected with it and this is part of a small collection recently acquired for the Great War Photos archives, and a new image will be appearing every Friday this month.
This image shows the community that the village of Hooge had become after the war. Hooge was just a hamlet on the Menin Road, east of Ypres, but it had become a pivotal site during the Battles of Ypres and had literally been blown off the map by 1918. A large Hooge Cemetery was constructed close to the site of these buildings, most of which are either recovered Nissen huts from army camps near Ypres or the type of provisional housing that was provided in 1919; all that most Belgians had to live in when they came back after the war. In most cases Belgian families lived in these until the 1922/23/24 period when the main rebuilding took place; hard for us to imagine now.
The role and experiences of female nurses in the German medical services during the Great War is something that seems to have slipped in our knowledge of the period. There appears to be very few, if any, memoirs of German nurses, compared to similar ones by British nursing staff. There also does not appear to be any form of official history of German nursing during this period and few mentions of them in German soldier memoirs.
So this photograph is as much a question as an answer. It shows German nurses in a building on the Eastern Front taken over as a hospital and dates from around 1916.
This aerial image dates from 1916 and shows the centre of Ypres around the ruins of the Cloth Hall and St Martin’s Cathedral as it was at that point in the war – but in this case covered in a thick blanket of snow. The main square is in the centre of the photograph and towards the centre top is the road leading up to the Menin Gate and the Ypres Ramparts. It offers a very different and compelling image of Ypres, only half way through the conflict, but yet already very much in ruins.
The Western Front at its peak was over 450 miles long, stretching from the Belgian coast at Nieuport to the Swiss border near the village of Pfetterhouse. The terrain along that front varied widely from the flat plains of Flanders to the rolling downland of the Somme, through forests like the Argonne and into mountains when it reached the Vosges.
On the Belgian end of the front, at Nieuport, the trench system ran right up to the beach, with that end of the Western Front literally petering out in the sand. For most of the war it was held by the Belgian Army but in 1917 British troops took over the sector in the lead-up to what was eventually an abandoned plan to make seaborne landings further up the coast. However, in July 1917 the Germans went on the offensive here and attacked the forward positions held by British units around the town of Nieuport.
This photograph, from a German source, dates from that period and shows an overrun British trench following the fighting in July 1917. The bunker was in the extreme northern positions on the Western Front and directly overlooked the beach and indeed the sea; both of which are visible in the background on this image. It is probably not how most people think the Western Front came to an end on this Northern end of the battlefield!
The Musée de la Grande Guerre opened in the French town of Meaux – in the heart of the 1914 Marne battlefields – in late 2011. While this is its second year and has had good visitor numbers, I do not think it has quite reached the radar of English speaking visitors as yet and I myself have only just had a chance to pay the museum a visit.
I must confess that I did approach the visit with some trepidation; modern museums can often have themes which at times seem remote from the core subjects of the Great War and occasionally go for audio-visual over objects. In the case of this superb museum my fears were unfounded as it proved to be one of the best museums I have visited in a long time and now is in my top five WW1 museums in the world!
The visit at the Musée de la Grande Guerre starts with a short film taking you back to the origins of the Great War and the Franco-Prussian War. You then proceed into the pre-war galleries which emerge into a display of soldiers marching to war in 1914 and the main hall. This hall is packed with a Marne Taxi, pigeon loft, WW1 aircraft a FT17 tank, artillery and two large trench displays. Off of it are other rooms which follows themes or the timeframe of the war, equally packed with fascinating objects, imagery and artwork. Two and a half hours here just flew by and it is one of those great museum where I know I shall return each time and see something I missed previously.
The trench displays were particularly effective; a trench ends on a wall where the movement and activity in the trench is cleverly blended with archive film from WW1 – see below.
The museum has a well stocked bookshop at the end, good, clean toilets, safe and plentiful parking, and a nice little cafe which does drinks and light snacks. You cannot take bags inside but there are lockers to leave them in. It has good disabled access for a French museum and the staff are all very friendly.
I cannot recommend the Musée de la Grande Guerre enough and combined with a visit to some Marne battlefield sites close by, this makes the Marne an exciting battlefield to visit.