The Crimson Field is a new BBC drama which has been received with what can be best described as mixed feelings by Great War enthusiasts on Twitter. It depicts a ‘Field Hospital’ close to the battlefield and while its accuracy may be questionable there is no doubt it will bring many who want to know more to the subject of WW1 medicine.
By way of contrast this image is from a small German collection that may well have belonged to a German nurse or doctor serving in Russia and in France during the Great War. This particular ‘crimson field’ is likely to be in Germany and visible are the nurses, left, and the doctors and orderlies as well as the patients at the window and on the balcony. The image gives an insight into the sophistication of Great War medical arrangements, something very lacking in the current BBC drama.
Tonight a new WW1 Centenary drama series, The Crimson Field, will start on BBC1 no doubt sparking a fresh wave of interest in the Nurses of the Great War.
This image was taken in Northern France in 1918 and shows Queen Alexandra’s Imperial Military Nursing Service and also Voluntary Aid Detachment (VAD) personnel with the Royal Army Medical Corps medical officers from a Northumbrian Casualty Clearing Station.
Ninety-nine years ago today the British government declared war on Germany and for Britain the Great War began. A year from today the Centenary of the Great War starts with a joint reconciliation service of remembrance at Mons with British and German heads of state present.
Many of those with a long-held interest in the Great War view the upcoming Centenary with some trepidation. There is a fear the war will be trivialised into convenient media soundbites, a concern there will be too much focus on the dead of the war and not enough on those who survived, and among many academics disgust that achievements on the battlefield which lead to victory will be forgotten.
All of these are legitimate concerns but it is clear the Centenary is also a time to educate and share knowledge. That is why I set up Great War Photos some eighteen months ago; a platform like a blog is an easy and accessible way for me to share the thousands of largely unseen images I’ve collected to be seen by a wider audience; and all it costs is some time and a few dollars for a web address. That such a project is of interest to others is clear; the site has so far been seen by more than 200,000 unique visitors from all over the world. People have requested to use images for private research, community projects and publications; all of which has been granted as it is precisely what I had hoped for when I set the site up.
I mention all this not to blow my own trumpet but to demonstrate how easy it is to take an active part in the Centenary. Blogs are free; adding images, artwork and sound or video files is easy. Many of those with years of collecting or researching WW1 have some sort of story to tell and surely the Centenary is the time to do that? Others have family stories to add, or names on a local memorial which once researched can be shared with others. All you need is the will and the ability to type.
The Centenary should be a time for collaboration and co-operation, as well as a time to publish books, enhance profiles and churn our programmes. Let us hope more and more take on that challenge.
So what has Great War Photos got planned for 2014? In the lead-up to the Centenary I plan to publish a number of images showing places on what would become the Western Front, showing how they looked on the eve of war; sleepy villages and flourishing communities. From August 2014 onwards I aim to focus on images connected with 1914: the fighting overseas as well as events on the home front.
I am trying to think positively about the Great War Centenary and I hope others will do so as well; it is an important period that should not be wasted by anyone with an interest in the subject.
The documentary Somme: Secret Tunnel Wars is about to start on BBC4 and promises to be a fascinating insight into the archaeology of the war underground on the Somme in 1916.
Part of the programme will apparently feature the Lochnagar Mine Crater, perhaps the most visited British mine crater today on the Western Front. But this was not always so.
In the inter-war period the Somme was visited by hundreds of thousands of battlefield pilgrims, many of whom came to La Boisselle and many of whom visited a mine crater there, but it wasn’t Lochnagar, but the Y Sap Mine Crater. This was a major ‘tourist location’ in the 1920s/30s as it was close to the Albert-Bapaume road and easily accessible from the main road, which Lochnagar was not. However by the 1970s the Y Sap crater was hardly visited and the owner filled it in; leading to Richard Dunning saving the Lochnagar Crater when that too was threatened with the site now preserved by the Friends of Lochnagar.
The second part of ‘WW1 Tunnels of Death: The Big Dig‘ will be broadcast on Channel 5 tonight at 8pm. This week the programme really goes underground as it looks at the dugouts, tunnels and mining system which was part of the Messines battlefield. These were all in an incredible state of good repair, as the photographs below show.
This image dates from January 1917 and shows a German materials dump in the centre of the village. Behind the Germans in the main square of Messines and the photo shows that even only a few months before the June 1917 Battle of Messines, much of the town was still standing. Looking at the equipment dumped here, one wonders how much of it was unearthed by the archaeologists!
The village of Messines was heavily defended by the Germans and the sizeable trench seen in the above image dating from early 1917 shows part of their defence network on the outskirts of the village.
In the next episode of WW1 Tunnels of Death: The Big Dig the team explore the underground war at Messines and during the dig Simon Verdegem and his team of archaeologists uncovered a previously unknown German tunnel network. It was quite something accessing tunnels that no-one had been down since 1918. The timber which lined the tunnels was in exceptional condition and it is hoped that some of the tunnel system will be reconstructed in a future Messines museum, due to open in 2014.
The German army occupied Messines at the end of the First Battle of Ypres in November 1914 and remained in possession of the village until the Battle of Messines in June 1917. The village stayed in good condition, but with every building damaged or partially destroyed, until June 1917 when the preliminary bombardment for the attack of the New Zealand Division destroyed everything. This image dates from the Spring of 1917 and shows a German communications centre in Messines, just off the main square.
The archaeology feature in tonight’s programme very much reflects this German occupation; from the artifacts found in the trenches through the uncovering of German dugouts and tunnels; the ‘Last Witness’ of the Great War, the landscape, had much to tell us on this dig and some genuinely new discoveries were made.
My new television series, WW1 Tunnels of Death: The Big Dig, starts this evening on Channel 5 and today there will some posts connected with the programme and the dig we followed for more than six months in Flanders.
As part of the research for the series I was able to source a number of original images showing the village of Messines during the German occupation before everything was destroyed and also showing some of the trenches. This image was one from a small collection showing the typical trench construction in the front line area of the battlefield west of Messines. This particular trench is Weißergraben and lead to the front line area close to where the New Zealand Memorial is now located. The steel door seen in the trench may well be a kiln door from the brick factory that was on the edge of the village.
The trench design and construction is particularly noteworthy as it pretty much reflected what the archaeologists found during the dig; this style of trench support, trench wall and trench floor were all found. This will all be seen in tonights episode, starting on Channel 5 at 20.00.